What do you call a Banjo Player-Surprising Mentions!

A string player is a person who plays a stringed instrument but it is used by orchestra players playing violins, cellos, and using a bow. We may prefer to call Banjoist. However, you will also see people calling banjoista, banjoer, banjo player, banjo picker. And if it’s a male banjo player, people also tend to mention banjerinos while for females, banerinas, banjophonist, banjologist also go well with that.

However, since a cello is played by a cellist and a piano is played by a pianist, so is banjo played by a banjist? Of course, there are many unmentionable things that people call banjo players. And you may hear that they people sometimes even call “musicians”.

If you are wondering what do you call a banjo player, let us tell you that the authors like us prefer to mention banjo players in their articles. In most of the articles, you will see the person who plays banjo mentioned as a banjo player.

Now you have come to a conclusion on calling a banjo player, you can call by any name from we mentioned above. Similar to different calling names, there are also some glossaries or keywords that you should know if you ever thought about playing the banjo. Let’s check these out.

Banjo Glossaries

Accent – it refers to selecting a note with emphasis.
Arpeggio – it’s a style of playing the individual notes in a chord instead of playing all the notes simultaneously. In different words, picking any individual note of the chord once instead of strumming the chord.
Backup – it is used to define a method of banjo playing that encourages other instruments or singers.

What do you call a Banjo Player?

Barre Chord/Barre Chord Form – a chord form that usually includes 3 or more strings on the corresponding fret and can be practiced to play several main chords on the neck by just shifting the position from fret to fret.
Bass Runs – these are notes, which are commonly played on the 4th string that drives into a chord or solo.
Binding – a strip that is built of a plastic material, which goes along the head of the fingerboard. It normally has dots that show the 3rd, 5th, 7th, 10th, 12th, 15th, 17th, and 19th frets.
Break – a jargon term for solo.
Breakdown – usually applies to a fast bluegrass instrumental.
Bridge – the strings fluttering on the wooden bridge and then vibrating on the banjo head shift the tone to the banjo. So you should pick your bridge carefully. They are usually built of maple with an ebony top.
C Tuning – dropping the 4th string to C from standard G tuning.
Capo – a clamp-like tool used for adjusting keys by increasing the pitch of all your strings mutually. It lets you play in the identical way as you would in open G tuning.
Capo Spikes – these 5th string capo spikes are basically HO model railroad spikes. They are included in the fretboard and used for capoing the 5th string.
Chops – a term applied to define a musician’s talent.
Chord Forms – the exact shape your left hand is proceeding on the fretboard, usually connected with movable chord positions.
Chord Inversions – using several chord shapes in various places on the fretboard to play similar chord or notes.
Chord Progression – a set of chords, which make up a song.
Chord Structure – how the chords, overall, are placed together to create a special song.

Chromatic – playing every note in sequence without skipping any frets. The chromatic scale is all 12 notes of the octave featuring all flats and sharps. Chromatic style in bluegrass banjo playing is related to the melodic style and often used for flashy.

Clawhammer Style – a style that is quite similar to frailing. However, in Clawhammer Style, your thumb will play the melody notes sometimes and plays more of a role compared to frailing. This style is applied to play more complex melodies, while the frailing style is based more on rhythm.

Crash and Burn – a jargon used for making a mistake in a song, which is very obvious.

Down the Neck – normally relates to playing at or below the 5th fret.

D Position – a chord form that is used to play many major chords on the neck by just leaving that position from fret to fret.

D Tuner – a tool used to tune a string for a musical impact during a song or to immediately get from G to D tuning. It’s often called Scruggs Tuners or Keith pegs.

Embellish – to attach something to the music that you are playing. For example, embellishing a B note by pushing up to the note and hitting the string with emphasis.

Frailing – a banjo playing style, which practices a strumming method that grabs the 5th string with the thumb and strikes down with the back of the middle fingernail to play music notes.

Flat – a term usually used to define dropping a pitch one-half step or fret. When tuning, if the pitch is flat, means it’s too low. If the pitch is sharp, means it’s too high.

Fret Board or Fingerboard – introduces to the exterior of the banjo neck where you put your fingers while fretting the strings.

F Position – a chord form, which can be used to play several major chords on the neck by just leaving that position from fret to fret.

G Tuning – used most often for bluegrass banjo playing style.
Half Step – lowering a note one fret.
Instrumental – defines a song with no words or singing.
Keith Style – represents a melodic style. Bill Keith was instrumental in growing and popularizing the melodic style.
Lead-ins – the notes played at the opening of a song.
Melodic Style – a style of banjo playing that plays most of the melody notes of the tune.
Metronome – a tool used that measures time by beats per minute.
Nut – the plastic piece at the edge of the fretboard that the strings match through.
Octave – the distance between the similar note 7 diatonic pitches apart; the lower note sounds half as fast as the top and plays an octave lower.
Open G – is recognized as conventional tuning for bluegrass banjo playing. It also explains the banjo when the open strings are attuned to a G chord.
Pinch – plucking two or more strings collectively at a time with more than one finger.
Pitch – highness or lowness of a tone, based on the frequency.
Pegs – refer to the tuning pegs on the banjo.
Plectrum Banjo – a banjo with 4 strings and is a similar scale length as a 5-string bluegrass banjo.
Rim – the banjo tone chamber in a regular master tone style banjo that has a wood rim and a bell bronze tone ring furnished on top of it.
Scale – a set of notes in an ascending or descending order. The notes in the scale are usually specified numbers (1-8) or syllables (do-re-mi-fa-so-la-ti-do).
Scruggs Tuners – a tool for a musical influence during a song or to instantly get from G to D tuning.
Single-String Style – a style of banjo playing that includes playing notes once at a time on a similar string instead of a roll as in the three-finger style.

Tenor Banjo – a 4-string banjo that is shorter in length by three frets than a regular 5-string banjo.
Three-Finger Style – the style used in bluegrass banjo playing.
Tone Ring – is apparently the most significant part of the banjo’s overall sound.
Verse – a set of lyrics usually sung solo. The verse is normally one time through the central chord sequence of the song.

Final Verdict

Have you decided now what do you call a banjo player from now on? It doesn’t matter what you call a banjo player, playing the banjo smoothly matters the most. So we hope you solved the puzzle and since you are interested in banjo, you are going to love the glossaries as well. Comment below if you have got more glossaries or banjo player names to share.

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